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・ Hallelujah (disambiguation)
・ Hallelujah (EP)
・ Hallelujah (Gali Atari and Milk & Honey song)
・ Hallelujah (Krystal Meyers song)
・ Hallelujah (Leonard Cohen song)
・ Hallelujah (Panic! at the Disco song)
・ Hallelujah (Paramore song)
・ Hallelujah (ThisGirl song)
・ Hallelujah All the Way Home
・ Hallelujah Bay
・ Hallelujah FC
・ Hallelujah for the Cross
・ Hallelujah Freedom
・ Hallelujah Hits
・ Hallelujah I Love Her So
Hallelujah Junction
・ Hallelujah Junction (album)
・ Hallelujah Junction (ballet)
・ Hallelujah Junction, California
・ Hallelujah New World
・ Hallelujah of Love
・ Hallelujah Peak
・ Hallelujah Picassos
・ Hallelujah the Hills
・ Hallelujah the Hills (film)
・ Hallelujah Time!
・ Hallelujah! (film)
・ Hallelujah! (gospel song)
・ Hallelujah! (Holly Johnson song)
・ Hallelujah! (TV series)


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Hallelujah Junction : ウィキペディア英語版
Hallelujah Junction

''Hallelujah Junction'' is a piece written in 1996 for two pianos by the American composer John Adams. Adams titled his autobiography after this composition.〔(【引用サイトリンク】John Adams">title=Hallelujah Junction: the book )〕 A two-CD retrospective album of works by Adams on the Nonesuch label is also entitled ''Hallelujah Junction'', but does not include the composition.
==Composition==
The name comes from a small truck stop on US 395 which meets Alternate US 40, (now State Route 70) near the California–Nevada border.〔 Adams said of the piece, "Here we have a case of a great title looking for a piece. So now the piece finally exists: the 'junction' being the interlocking style of two-piano writing which features short, highly rhythmicized motives bouncing back and forth between the two pianos in tightly phased sequences".
The work centers around delayed repetition between the two pianos, creating an effect of echoing sonorities. There is a constant shift of pulse and meter, but the main rhythms are based on the rhythms of the word "Hal–le–LU–jah".
The work is in three unnamed movements, and generally takes about 16 minutes to perform. It was first performed by Grant Gershon and Gloria Cheng at the Getty Center in Brentwood, California, in 1998. It is dedicated to Ernest Fleischmann,〔 long-time general manager of the Los Angeles Philharmonic.
In 2002 the composition was used for a ballet with choreography by Peter Martins.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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